“Things that are easy to swallow are hardly ever nutritious.”
Nothing of worth ever begins as something popular. Something of outstanding worth usually has to make its way gradually, moving on timid steps, out into a hostile, indifferent world. It doesn’t bolt into the spotlight like an extravagant starburst. It moves on hesitant steps, always extremely vigilant, because on all sides looms The Popular which can overwhelm it or lead it astray. A work of extraordinary merit usually it takes a great deal of time to gain its footing, and it requires a lot of exposure, analysis and comparison before a book or a painting or a play or a beautiful building are recognized as being “the real thing.”
That recognition can be as slow as a glacier’s progress. When the Italian Dante finished his The Divine Comedy,” the critical opinion of the day damned it as “Gothic obscurantism.” It isn’t. It is measured, stately and beautiful. Today, it is extolled as one of the great narrative poems in Western Civilization. It took 150 years for the greatness of Shakespeare to emerge, thanks to the Romantics. Even The Iliad, Homer’s masterpiece, required a long span of time before its imperishable beauty was praised. The Greeks of Homer’s time were so corrupt, they even denied that the Trojan War took place. Homer’s work was dismissed as mere fraudulence.
Great art is like a message in a bottle. The heaving sea is populated with acres of bottles bobbing on the swells. A curious onlooker can idly fish out a bottle and take out the message. If the message has no interest for him, he lets it fall into the surf. If it appears to have brief interest, he may perhaps hand it to his neighbor who might gaze at it for a minute, then discard it. This is where endowments of intelligence and gifts of emotional depth and perceptiveness begin to play a part. Say we have a mind that consistently spends its time reading, observing, reflecting, and meditating. Over time, he or she is going to develop skills based on those activities. He or she will lead two lives, the personal and the intellectual. The skills from the latter depend on the growth of insight, vivid interests and focused observation.
So what happens when a richly endowed mind comes across the message? It will not read the message idly, but with genuine curiosity. If it is a trifle, he throws it away, but if it isn’t, he will consider it, examine it, create a scale of importance, rate it, and if he has friends of similar temperament and gifts, will pass it on to them. In other words, the reaction of his friends will vary according to their brains and emotional depth, but it isn’t likely that they would want to discard it without a hearing. Soon some preliminary agreement will be forged about the worth of the message. Analytic comparisons take place. That is how fame is established and spread. Fame depends on convincing the skeptical.
So what establishes value? The passage of time. Time weeds out nuisances and but keeps the worthy creations and onlookers and readers will begin to rank them in the scale of importance and excellence. There is always a struggle taking place in a civilization between the cheap and glamorous and the quiet and truthful. The more our nature is limited, the more our brains and feelings are shallow, the more likely they will be to praise what is worthless and to exalt what is false and dubious. Integrity grows in our character only by overcoming the inferior elements of or minds and supplanting them with something more alert and astute. If you have a nature that risks ridicule because it halts to think before it pronounces, you have a nature that is honest. It may be mistaken at times, and may come to repudiate its earlier judgments, but if it has integrity, it will demand repeated efforts to correct its earlier misconceptions.
The best in us wants to admire the admirable, not the shoddy and flimsy imitations of it. We do not want to substitute something that has an enduring value, something that acts to stimulate accomplishments for something flashy and worthless, and yet people do that all the time. They forget that the popular is usually the radically unsound because the popular caters to our mental or spiritual limitations. Popularity is a mirage that masks merit. The first idea to delight the mind may not be a sound or noble one. It may beguile, mislead, stupefy, and it may lead he mind completely astray. The goal of our thought should be clearer or more accurate and more deeply felt perceptions of our own common life. To obtain greater clarity of sight, we have to shun things that pretend to be insightful or durable when it fact, they betray and blind us.
Masterpieces of art enter the world like messages in a bottle. There are hordes of bottles bobbing about in the broad sea, and in each bottle, is a message that seems like all the others, until a reader or spectator, or a discerning critic takes the message out and is exalted by it. Of course, the spread of its fame can be tantalizing slow, as you can see from the examples above. Some natures, receptive, richly endowed with feeling and superior brain power will come across them, and they will work tirelessly to save them from oblivion. But, as I said, that takes time.
In a democracy, whose political ideology declares that all men and women are created equal is a worthy political goal. But if you move beyond politics, we encounter the array of masterpieces in Western Civilization, and to appreciate them requires exceptional gifts of temperament and mind. What is a masterpiece? A masterpiece is a work of an artist whose ambition was to construct something so beautiful, so humanly dramatic and poignant that it will endure beyond the reach of Time. That is the aim of genuine artists whether their art is sculpture, painting or writing architecture or composing musical masterpieces.
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